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CONTEMPORARY DESIGN NEWS

CONTEMPORARY DESIGN NEWS

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stendig calender massimo vignelli

Accessories / Design / Objects

Stendig Calender Massimo Vignelli

The Milanese graphic and product designer, Massimo Vignelli, designed the Stendig Calendar. The design of the calendar we sell today was realised in 1966 by Vignelli and so significant was its impact that it was taken into MoMA’s Collection that year. Massimo Vignelli’s large (4’x3′) wall calendar comprises tear-off sheets of 60lb paper printed in the iconic typeface Helvetica. The months randomly alternate black and white and the top binding strip has 3 black eyelets for easy level hanging. Aram

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Tony Fretton Lisson Gallery London

Tony Fretton Lisson Gallery London

Architecture

Tony Fretton Architects transformed an existing building in 1986 and created a new building in 1992 to form the Lisson Gallery. Founded in 1982, Tony Fretton Architects is an international practice based in London. Tony Fretton

31/44 Architects Redchurch Street Building in Shoreditch London

31/44 Architects Redchurch Street Building in Shoreditch London

Architecture/ Retail

Architects 31/44 extends and refurbishes an existing 1960s light industrial building to create a boutique hotel in Redchurch Street, Shoreditch. The design is contemporary yet reflects the character of the adjacent Victorian warehouses on Club Row and the surrounding Georgian brick facades. 31/44 Architects

Poul Henningsen PH 4/3 Table Lamp

Poul Henningsen PH 4/3 Table Lamp

Design/ Interiors/ Lighting/ Objects

Henningsen PH 4/3 Table Lamp is based on the principle of a reflective three shade system, which directs the light downwards. The shades are made of metal and painted white to diffuse the light. Louis Poulsen the Danish lighting manufacturer was founded in 1874 and born out of the Scandinavian design tradition where form follows function. Poulsen

Stirling prize 2016 Caruso St John Newport St Gallery

Stirling prize 2016 Caruso St John Newport St Gallery

Architecture

Newport Street Gallery involved the conversion and transformation of a street facing a railway line in Vauxhall, south London, into a free public gallery for artist Damien Hirst’s private art collection. Three listed Victorian industrial buildings, formerly carpentry and scenery painting workshops for West End theatres, have been remodelled and flanked at either end by entirely new buildings; one with a spiky saw-tooth roof. RIBA.

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