Design

Aggestrup #80 is a modular sofa. The #80 black was Camilla Aggestrup's first edition, and the next edition is called the white edition, as an opposite. The mission is to create products that attract awareness towards moments in life and the human body itself. The sofa provides comfort, privacy and flexibility but still keeps the simple aesthetic values that are well-known from the Danish Design tradition. All products are handcrafted and produced in Denmark. Aggestrup

Commissioned by Canteen for their group of restaurants. This design can be seen as an evolution of the once ubiquitous post-war Utility Chair, still a familiar sight in the UK today. Klaus & Carpenter managed to reduce the chair to three main components. The powder-coated frame is made from one continuous piece of bent tube. Hidden fixings join it neatly to the plywood seat and back. Along the way they subtly updated the look of the classic archetype. The result is light weight, stackable and versatile: the Canteen Utility Chair. 2009. VG&P. 

The Joyce cabinet has sliding glass-fronted doors and a timber-lined interior with four adjustable shelves and four drawers. There are 2 cable grommets above the drawers. Pinch is the collaboration between husband and wife team Russell Pinch and Oona Bannon and is run from their studio/ showroom in Clapham, London. Pinch Design.

Certain things become so strongly associated with an era that they become timeless. This is certainly true of Nils Strinning’s shelf system, string®, which was designed in 1949. It may seem strange that something as simple and humble as this little dainty light shelf with its thin side panels has become one of the twentieth century’s foremost design icons.  String.

The Straight Chair is George Nakashima's modern interpretation of the traditional Windsor chair. Originally designed in 1946 and reintroduced by KnollStudio in 2008 in collaboration with George Nakashima’s daughter, Mira. Using three-dimensional scanning software, the Knoll Development Group created an exact replica of the handmade original. Knoll

Hans J. Wegner designed the Wishbone chair for Carl Hansen & Søn in 1949 and it has been in continuous production since 1950. Despite the chair's straightforward appearance it takes more than 100 steps to make one and the hand woven seat consists of more than 120 meters of paper cord. Carl Hansen opened his furniture workshop in Odense, Denmark in 1908 and still manufacture in a modern factory just outside Odense. Carl Hansen

Ludwig Mies van der Rohe was selected to design the German Pavilion for the 1929 International Exposition in Barcelona. Inside, Mies included chairs and stools for the King and Queen of Spain. Designed in 1930, the Barcelona Couch shares the same simple elegance as the iconic lounge chair. Mies granted Knoll the production rights to the Chair and Stool in 1953. Knoll was formed in 1938 by Hans Knoll in New York. Knoll

Charles and Ray Eames, the American designers who have made significant contributions to modern architecture and furniture,  conceived and developed the Aluminium Chair in 1958 for the private residence of an art collector in Columbus, Indiana (USA). The chair is constructed by stretching fabric or leather between two aluminium side members create a taut but elastic seat. This is in contrast to the seat shell. The chair adapts to the body of the sitter and is comfortable, even without elaborate upholstery. Vitra

Maarten van Severen studied architecture at the Art Academy in Ghent and produced his first furniture in 1986. In 1990 he began a collaboration with the architect Rem Koolhaus and started to concentrate on interiors. The .03 chair is designed to be unobtrusive yet comfortable and is made of  resilient polyurethane integral foam. The chair is designed to respond to the body by flexing. Maarten's collaboration with the family owned Swiss manufacturer Vitra commenced in 1996. Vitra