Naoto Fukasawa designed the solid wood 130 chair for Thonet in 2010. The frame is made from solid wood and the backrest  in moulded plywood with or without upholstery. Thonet

The head chef and founder of Noma, René Redzepi, commissioned Studio David Thulstrup to create the ARV Chair. The design of the chain draws from Danish tradition but has a contemporary and timeless quality. The chair is manufactured by Brde. Kruger, a firm that was founded in Copenhagen as a woodturning company and dates back to 1886. Brdr Kruger

The Trame chair for both inside and exterior use is designed by Amandine Chhor and Aïssa Logerot for Petite Friture. The chair is manufactured from steel and epoxy coated. Petite Friture

Commissioned by Canteen for their group of restaurants. This design can be seen as an evolution of the once ubiquitous post-war Utility Chair, still a familiar sight in the UK today. Klaus & Carpenter managed to reduce the chair to three main components. The powder-coated frame is made from one continuous piece of bent tube. Hidden fixings join it neatly to the plywood seat and back. Along the way they subtly updated the look of the classic archetype. The result is light weight, stackable and versatile: the Canteen Utility Chair. 2009. VG&P

The Straight Chair is George Nakashima's modern interpretation of the traditional Windsor chair. Originally designed in 1946 and reintroduced by KnollStudio in 2008 in collaboration with George Nakashima’s daughter, Mira. Using three-dimensional scanning software, the Knoll Development Group created an exact replica of the handmade original. Knoll

Hans J. Wegner designed the Wishbone chair for Carl Hansen & Søn in 1949 and it has been in continuous production since 1950. Despite the chair's straightforward appearance it takes more than 100 steps to make one and the hand woven seat consists of more than 120 meters of paper cord. Carl Hansen opened his furniture workshop in Odense, Denmark in 1908 and still manufacture in a modern factory just outside Odense. Carl Hansen

Charles and Ray Eames, the American designers who have made significant contributions to modern architecture and furniture,  conceived and developed the Aluminium Chair in 1958 for the private residence of an art collector in Columbus, Indiana (USA). The chair is constructed by stretching fabric or leather between two aluminium side members create a taut but elastic seat. This is in contrast to the seat shell. The chair adapts to the body of the sitter and is comfortable, even without elaborate upholstery. Vitra

Maarten van Severen studied architecture at the Art Academy in Ghent and produced his first furniture in 1986. In 1990 he began a collaboration with the architect Rem Koolhaus and started to concentrate on interiors. The .03 chair is designed to be unobtrusive yet comfortable and is made of  resilient polyurethane integral foam. The chair is designed to respond to the body by flexing. Maarten's collaboration with the family owned Swiss manufacturer Vitra commenced in 1996. Vitra

Lounge Seating designed by Charles Pollock for Bernhardt Design. Charles Pollock's designs were governed by two principles. Creatively, he favored a continuous curved line when sketching ideas and creating forms. The second principle was that any product must be visually attractive, functional, and affordable. In 2012, the 82-year-old Pollock introduced his first new product in America since the debut of his iconic Pollock Chair forty-seven years earlier. Pollock’s new collection CP Lounge was commissioned by Bernhardt Design.  Bernhard Design

Ludwig Mies van der Rohe was selected to design the German Pavilion for the 1929 International Exposition in Barcelona. Inside, Mies included chairs and stools for the King and Queen of Spain. Designed in 1930, the Barcelona Couch shares the same simple elegance as the iconic lounge chair. Mies granted Knoll the production rights to the Chair and Stool in 1953. Knoll was formed in 1938 by Hans Knoll in New York. Knoll